![]() Austin City Limits Festival - Wiki. Visually. The Austin City Limits (ACL) Music Festival is an annual music festival held in Zilker Park in Austin, Texas on two consecutive three- day weekends. Inspired by the PBS concert series of the same name, the festival is produced by Austin- based company C3 Presents, which also produces Lollapalooza. The Austin City Limits (ACL) Music Festival is an annual music festival held in Zilker Park in Austin, Texas on two consecutive three-day weekends. Inspired by the. An electromagnetic field (also EMF or EM field) is a physical field produced by electrically charged objects. It affects the behavior of charged objects in the. UPDATE 7 April 2016: Link download kitab kuning yang error dan tidak bisa diakses sudah. 1,000 Times Good Night Women have become such an essential part of the workforce that it’s almost impossible to recall the time — not so long ago — when the. Browne jammed with Double Trouble until the early morning hours and offered them free. Stevie Ray Vaughan. MTV Live acquired rerun rights to the series in 2016. Download free for The Roosevelts This Is. Download The Roosevelts This Is Life Sxsw 2016 Hd Song Mp3. Download mp3 The Roosevelts This Is Life Sxsw 2016 Hd. Direct Download SXSW 2016 Showcasing Artists Part1 Sponsored Link; Full Download SXSW 2016 Showcasing Artists Part1 Sponsored Link; torrentfunk.com SXSW 2016. Approximately 4. 50,0. On August 1. 6, 2. Austin City Council members voted unanimously to allow the Austin City Limits Music Festival to expand to two consecutive weekends beginning in 2. Austin Eats is the name of the festival food court that was modeled after the Jazz Fest in New Orleans. With gluten- free and vegetarian options. Restaurants featured include Torchy’s Tacos, Stubbs B- B- Q, and Amy’s Ice Creams, all local Austin favorites. All vendors accept cash and there are ATMs located around the facility. Recycling bins are provided and festivalgoers are encouraged to be conscious when disposing of their food wastes. ACL Cares. ACL Cares is a section of the festival that supports good causes and encourages support from the thousands of attendees of the festival. Organizations like KLRU and The Nature Conservancy have been involved in past years. ACL Cares aims to make a difference in the local Austin community and beyond. Certain organizations that are involved in ACL Cares are Head. Count, United Way for Greater Austin, Austin Music Foundation, Keep Austin Beautiful, and many others. This section of the festival aims to support local artists as well as give the festivalgoers the opportunity to walk away from the festival with more than a T- shirt. The market is located in the center of Zilker Park and all booths are open throughout the duration of the festival. That has changed as the award- winning television series now resembles the Festival lineup and spotlights artists of every musical genre from rhythm and blues to rock, jazz, and alternative. Now that the festival is an established destination, it brings major bands to the television show that might not otherwise have made the trip. ![]() In past years, Pearl Jam, My Morning Jacket, Wilco and The National have all performed for both the festival and the show. The festival will showcase over 4. Austin City Limits Music Festival is held over 2 weekends: September 3. October 2 and October 7–9, 2. This years lineup features more than 1. ![]() Radiohead, Kygo, Kendrick Lamar, Mumford & sons, LCD Soundsystem and many more. Weekend 1. This year lineup features more than 1. Foo Fighters, Drake, the Strokes, Florence and the Machine, the Weeknd and many more. Weekend 1. It was listed in Forbes as one of 5 American Music Festivals to look forward to. The official lineup was announced on May 2. The performers included The Eagles, Phish, Muse, The Strokes, and M. I. A. The 2. 00. 9 festival took place on October 2–4, 2. The Skin At first glance, the stern faces of Marcello Mastroianni, Burt Lancaster and Claudia Cardinale on the cover of Cohen Media’s Blu-ray edition of The Skin. Librivox Free Audiobook Radio Programs Spirituality & Religion. Full text of "The Austin Chronicle 2014-12-12" See other formats. This year's festival is most commonly remembered as the one when torrential rains which started falling on Saturday afternoon turned the new grass turf into slick fields of Dillo Dirt mud. Performers this year included: The 2. September 2. 6–2. The 2. 00. 7 Austin City Limits Music Festival occurred September 1. Zilker Park. Several acts, including Amy Winehouse, The White Stripes and Rodrigo y Gabriela, cancelled their appearances at the festival due to health reasons, the latter two on very short notice. The scheduled performance by Saturday headliner, The White Stripes was replaced by moving already scheduled Muse into the headlining slot. Other notable moments include Friday when a propane tank was ignited and a fire broke out in the service area, burning down two trailers and several port- o- potties. Four people who were working at the festival were injured, two of them seriously. A second fire broke out on the speaker stack at the AT& T stage during Bj. Organizers also added a mobile phone texting feature to the festival. AT& T’s Blue Room offered options for fans to watch live streaming bands playing from the comfort of their own homes. Ben Kweller suffered a nosebleed during his set. He attempted to stem the flow by inserting a tampon, thrown to him by an audience member, into his nostril. The tampon expanded painfully and then he removed it. Kweller performed two more songs until he had to leave the stage. It continued to rain tampons on the band for well over two songs. The 2. 00. 5 festival took place on September 2. The 2. 00. 5 Austin City Limits Festival won Pollstar's Festival of the Year Award. This was also the infamous . The following year, sprinklers were installed in Zilker Park to remedy this problem. Organizers reduced the daily capacity of the event by 1. Three- day passes were sold for $1. Last minute replacement acts included: Several acts were scheduled to appear, but cancelled due to transportation issues arising from Hurricane Rita, they included: The 2. September 1. 7, 1. The 2. 00. 4 festival had eight stages, and, on the second day of the festival, a top attendance of 7. This spike in attendance forced the festival promoters to lower capacity per the request of surrounding neighborhood associations. September 1. 9–2. ACL Music festival. With 1. 00 bands performing, tickets increase to $6. Children under 1. Unlike subsequent years, it was a 2- day event only. The festival, arranged by Charlie Jones and Charles Attal founders of C3 Presents, was thrown together in a matter of three or four months. The 2- day festival hosted 5 stages and 6. One- day passes were $2. The festival has grown every year since. Gary Dretzka « Movie City News. Maleficent: Blu- ray. Planes: Fire & Rescue: Blu- ray. The great thing about owning the rights to one of the American cinema’s most cherished works is the ability to borrow from it to the point of re- invention. The privilege can be abused, of course, especially if the re- adaptation is made by lesser talents than those responsible for the original. Maleficent, Disney’s decidedly revisionist take on its 1. Sleeping Beauty, and, by extension, Charles Perrault’s 1. La Belle au bois dormant,” demonstrates how to honor the original by giving audiences something fresh and tasty on which to chew. Angelina Jolie was the only viable choice to play the woman considered to be Disney’s most enchantingly wicked character. The media has worked long and hard to turn Jolie into real- life version of Maleficent, simply for stealing the oh- so- vulnerable Brad Pitt from Our Lady of Perpetual Sorrows, Jennifer Aniston, and creating the kind of atypical family unit that reporters have always been too square to understand. Here, Maleficent is given a personality makeover matched only by Ebenezer Scrooge after his come- to- Jesus moment in “A Christmas Carol.” The origin story written for her by Linda Woolverton (Beauty and the Beast) offers several very good reasons for the character to make the leap from being a pixie with a decidedly sunny disposition to the evil fairy godmother who places an ill- considered curse on Aurora (Elle Fanning). She is driven to cruelty by a king’s greedy desire to control the enchanted forest beyond the moors and painful amputation of her wings. Even after the curse is placed, Maleficent discovers her love for Aurora and conspires to negate it by bringing her “one true love” to her bedside. Neither is Aurora’s father, King Stefan (Sharlto Copley), absolved of his role in Maleficent’s fall from grace. As portrayed here, he’s a power- mad son of a bitch, who, after the death of his wife, grows more paranoid with each passing day. If the story deviates from the Disney original thematically, it faithfully replicates some of Snow White’s most exciting and beautiful set pieces, using advanced CGI technology. The dragon battle, which was scary enough the first time, is even more convincing in enhanced live- action cinematography. That’s one very good reason why parents shouldn’t consider Maleficent to be a harmless substitute for a babysitter. Like the fight in the animated original, it could put toddlers off their feed for days. Otherwise, freshman director Robert Stromberg hasn’t left much room for crusty old purist to complain. It’s likely, though, that most viewers will be disappointed by the undernourished bonus package, which includes deleted scenes and only a few short background pieces. I’m even more surprised by the absence of a music video of Lana Del Rey’s moody re- interpretation of “”Once Upon a Dream,” which accompanies the closing credits. Although Cars was made by Disney/Pixar and Planes by second- string Disney. Toon/Prana Studios, the animated features bore a distinctly familial resemblance to each other. Both were inspired by an original story by John Lasseter and populated with motorized vehicles of the anthropomorphic persuasion. Their sequels were released theatrically, as well. Tellingly, though, it took an additional five years for Cars 2 to open, in 2. Planes: Fire & Rescue and its predecessor. Cars 2 reportedly benefitted from a borderline- obscene $2. Planes series had to make do on $5. From a kid’s point- of- view, I think, the differences can only be seen in the details and scope of the story. The world- famous air racer Dusty Crophopper (Dane Cook) returns here, but for a much different purpose. When Dusty’s equipment fails to live up to the standards of more modern racers, he makes an equally risky career choice. This time, it involves using his speed and maneuverability in the service of aerial firefighting, a cause that becomes more important with every passing year of our current drought. Naturally, Dusty’s self- confidence exceeds his ability to perform at the level required of his peers in the Piston Peak National Park fire- fighting squad. The Blu- ray package adds three animated shorts, “Vitaminamulch: Air Spectacular,” “Dipper” and “Smoke Jumpers”; deleted scenes; the featurettes “Air Attack: Firefighters From the Sky” and “Welcome to Piston Peak!”; the music video, “Still I Fly,” by Spencer Lee; and “CHo. Ps TV Promo,” a TV commercial for the “CHi. Ps” parody “CHo. Ps.” (Erik Estrada provides the voice for Nick . He admits as much in his introductory comments included in the Blu- ray bonus package to Brett Ratner’s Hercules. For his part, Ratner recalls creating a sword- and- sandals “Hercules vs. Superman” comic book when he was a kid. As such, their version of the Hercules legend owes more to Steve Reeves, Lou Ferrigno, Mickey Hargitay, Reg Park, Alan Steel, Arnold Schwarzenegger and Kevin Sorbo – lest we forget, Tiny Sandford, Samson Burker and Rock Stevens – than Greek and Roman mythology. It was adapted from Radical Studios’ “Hercules: Thracian Wars,” a comics series by writer Scott Moore and illustrator Admira Wijaya. After Hercules completed his 1. The Thracian King (John Hurt) summons the son of Zeus and his six battle- worn companions – think, the X- Men in leather skivvies — to mold the Thracian army into a “kick- ass” (Ratner’s words) killing machine. Unfortunately, the muscle- bound demi- god is unable to see the deception through the glare of Cotys’ gold. After Hercules successfully tests his Thracian charges in battle against an army of truly grotesque barbarians, Cotys and his devious henchman Sitacles (Peter Mullan) demand they help take on a larger force from Thebes. Once that’s accomplished, Hercules and his gang of outcast soldiers- of- fortune are taken captive by their employers. Not for long, however. No one’s ever accused Ratner of skimping on his production values and gotten away with it. Between production costs and marketing expenses, Hercules probably cost more than all of the other Hercules movies combined. That list includes Renny Harlin’s quick- and- dirty Legend of Hercules, which opened in January, immediately flopped and possibly poisoned the well for Ratner’s far more entertaining version. Although Hercules underperformed here, foreign audiences may have pumped enough money into the overall gross to get it close to even. There’s no reason to think that Johnson’s many fans and action junkies won’t embrace the unrated “extended” version, which offers an extra four minutes of mayhem that might have been trimmed to ensure a PG- 1. The Blu- ray package adds Ratner and producer Beau Flynn’s observations on sword- and- sandal epics and previous “Hercules” pictures; the introduction by Ratner and Johnson, several worthwhile, if short making- of featurettes; and additional material deleted from the theatrical cut. Due to lack of equipment, I wasn’t able to review the 3. D edition. Child of God: Blu- ray Good People: Blu- ray. If James Franco had grown up in New York, instead of Palo Alto, and looked more like John Turturro (no offense intended) than James Dean, he might be taken more serious as an artist than he sometimes is. If he cared about his image in certain quarters, he might also have resisted the temptation to appear in soap operas, stoner comedies and action epics at the same time as he was turning in award- quality performances in both high- and low- profile indies. Somehow, too, Franco has found the time to attend prestigious graduate schools, teach, write prose and poetry, draw and sculpt, direct and produce films, long and short. It’s as if he were gunning for the Renaissance Man of the Year award. Still, I can’t think of a single actor of his generation who’s displayed more range, courage and ambition than Franco has since unceremoniously breaking into the business in 1. Actually, it was only when Franco, now 3. Academy Awards ceremony, with Anne Hathaway, that he met the limits of his ambition. That debacle was soon forgotten, however. Child of God and Good People provide good examples of projects that might never have been noticed if it weren’t for his participation in them. His adaptation of Cormac Mc. Carthy’s grisly 1. Franco’s previous literary adaptations: Howl (Allen Ginsberg), Sound and the Fury and As I Lay Dying (William Faulkner), and The Broken Tower (Hart Crane). Set in rural Tennessee in the 1. Child of God describes one dangerously violent hillbilly’s descent into hell after his home and property are repossessed and put up for auction. Now homeless and clearly insane, Lester Ballard (Scott Haze) goes completely feral. He wanders around the countryside, looking for opportunities to avenge the perceived injustice, and sleeps in the same cave in which he stashes the victims of his bloodlust. Tim Blake Nelson and Jim Parrack play the good- ol’- boy lawmen who cut Ballard the slack he needed to haunt the local lovers’ lane and claim more victims, while Franco has a small role as the leader of a vigilante mob. Child of God is not an easy movie to digest, as much for stomach- churning depictions of Ballard’s animal instincts as any acts of violence perpetrated by him. As co- writer/director, Franco keeps a firm grip on the throttle of what could easily have been a runaway train. Haze’s performance could hardly be more convincingly ferocious. That he wasn’t nominated for an Indie Spirit Award, at least, is a mystery. The same goes for frequent Franco collaborator Christina Voros’ splendid cinematography. Franco plays a decidedly different character in this all- too- familiar British crime thriller, this time by the promising Danish director Henrik Ruben Genz (Terribly Happy). Good People pairs Franco and Kate Hudson as a young American couple, Tom and Anna Wright, living in a decrepit London flat for no discernable reason, except that they’re short of cash while he’s renovating a home outside London.
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